tag:blogger.com,1999:blog-344410702024-03-14T00:35:32.832+11:00Slow Learning"In music, in poetry, and in life, the rest, the pause, the slow movements are essential to comprehending the whole." Maryanne Wolf: Proust and the SquidSam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.comBlogger75125tag:blogger.com,1999:blog-34441070.post-45260275962501525882011-10-15T14:30:00.001+11:002011-10-15T14:30:47.648+11:00Steve Jobs: calligraphy and connecting the dotsListening to a replay of <a href="http://news.stanford.edu/news/2005/june15/jobs-061505.html">Steve Jobs commencement address at Stanford University</a> I was struck by the importance he placed on following your passion. He never graduated from university but dropped out and then dropped in to courses that interested him. One of these was calligraphy. <br />
<br />
<blockquote>
And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.</blockquote>
<blockquote>
It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:</blockquote>
<blockquote>
Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.</blockquote>
<blockquote>
None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.</blockquote>
<blockquote>
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.</blockquote>
You can't connect the dots looking forward; yet this is what education bureaucrats, politicians and media commentators expect teachers to do. Any teacher knows that we can use evidence to inform out teaching practice, plan detailed lessons, teach effectively only to have the lesson derailed by a kid who is out to lunch with his or her behaviour. I'm going to use this quote - "...you can't connect the dots looking forward; you can only connect them looking backwards."Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1tag:blogger.com,1999:blog-34441070.post-12761897049897768402011-09-26T14:12:00.000+10:002011-09-26T15:25:26.548+10:00Debriefing questions for lesson professional development<span style="font-family: Verdana, sans-serif;">Last week I worked with three teachers to explore a professional learning model using a truncated version of lesson study. The model is called a triad, even though it's a quartet if you include me as facilitator.</span><br />
<br />
<span style="font-family: Verdana, sans-serif;">The teachers planned a lesson on using metaphors and took turns to teach, observe, reflect and revise as a group</span><br />
<br />
<span style="font-family: Verdana, sans-serif;">Each time we revised the lesson it got tighter and each teacher had ownership of it, which was referred to as "our lesson".</span><br />
<strong>
</strong><br />
<strong><span style="font-family: Verdana, sans-serif;">Below is a list of our debriefing questions</span></strong><br />
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<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">1.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>How
was the lesson planned?</span></span></div>
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<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">2.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>What
worked well with the planning?</span></span></div>
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<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">3.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>What
changes would you make for the next planning session?</span></span></div>
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<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">4.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>Was
the lesson goal clear? Were the Learning Intentions and Success Criteria displayed? Did the sequences of learning contribute effectively to
achieving the goal?</span></span></div>
<div class="MsoListParagraph" style="margin: 6pt 0cm 6pt 18pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: left; text-indent: -18pt;">
<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">5.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>Was
the flow of lesson coherent? </span></span></div>
<div class="MsoListParagraphCxSpLast" style="margin: 0cm 0cm 6pt 18pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: left; text-indent: -18pt;">
<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">6.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>Were
the materials helpful in achieving the goal of the lesson?</span></span></div>
<div class="MsoListParagraphCxSpMiddle" style="margin: 0cm 0cm 0pt 18pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: left; text-indent: -18pt;">
<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">7.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>Was
the lesson chunked into digestible bits or episodes?</span></span></div>
<div class="MsoListParagraphCxSpMiddle" style="margin: 0cm 0cm 0pt 18pt; mso-add-space: auto; text-align: left;">
<br /></div>
<div class="MsoListParagraphCxSpMiddle" style="margin: 0cm 0cm 0pt 18pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: left; text-indent: -18pt;">
<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">8.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>Was
the lesson appropriate for students’ level of understanding?</span></span></div>
<div class="MsoListParagraphCxSpMiddle" style="margin: 0cm 0cm 0pt 18pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: left; text-indent: -18pt;">
<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">9.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span>Did
the classroom discussions help promote student understanding?</span></span></div>
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<span><span style="font-family: Verdana, sans-serif;"><span style="mso-list: Ignore;">10.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span>Was the lesson differentiated? If not,
how could it be differentiated?<o:p></o:p></span></span></div>
<div style="text-align: left;">
</div>
Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com01 Watson St, Castlemaine VIC 3450, Australia-37.063944300566838 144.195556640625-37.875179300566842 142.932129140625 -36.252709300566835 145.458984140625tag:blogger.com,1999:blog-34441070.post-56768337534054569622011-05-28T18:39:00.000+10:002011-05-28T18:39:25.285+10:00Literacy Coordinator's role at a P-12school<div class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span style="font-family: "Arial","sans-serif"; font-size: 16pt; line-height: 115%; mso-bidi-font-size: 10.0pt;"><span style="font-size: x-small;">This afternoon I wrote some notes on my work as Literacy Coordinator at a regional P-12 school and thought there seems to be a lot of things the job requires me to do. In the interests of sharing the information I've listed the role below.</span></span><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 16pt; line-height: 115%; mso-bidi-font-size: 10.0pt;">Literacy Coordinator <span style="mso-spacerun: yes;"> </span>P-12</span></b></div><div class="MsoNormal" style="margin: 0cm 0cm 10pt;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 16pt; line-height: 115%; mso-bidi-font-size: 10.0pt;"></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10pt;">Key Role:<span style="mso-tab-count: 1;"> </span></span></b><span style="font-family: "Arial","sans-serif"; font-size: 10pt;">to<b style="mso-bidi-font-weight: normal;"> </b>lead, coordinate and monitor teachers, students and programs in Literacy Education P-12 in accordance with MEC Strategic Plan</span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">. The purpose is to ensure that literacy improvement is a continual focus, so all students can achieve and all teachers can teach to high standards.<o:p></o:p></span></div><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%;">Responsible to:</span></b><span style="font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%;"> Principal</span><br />
<div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt;"><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";"> </span><b><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Role:<o:p></o:p></span></b></div><ul><li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Coordinate literacy across the school as a key leadership position</span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";"></span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Research best practice; use evidence based teaching to identify priorities for development</span></li>
<li><span lang="EN-AU" style="font-family: Symbol; font-size: 10pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font-size-adjust: none; font-stretch: normal; font: 7pt/normal "Times New Roman";"> </span></span></span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Develop, review, revise and implement with school staff, a 2-4 year Literacy Plan</span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Review and manage multiple sources of data. Use data to direct teaching and learning resources. </span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Give feedback to show positive, static and negative change</span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";"> </span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Promote and model best teaching<span style="mso-spacerun: yes;"> </span>and learning literacy practice across the school</span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";"> </span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Assist domain areas to develop effective strategies and resources for improving literacy</span></li>
<li><span lang="EN-AU" style="font-family: Symbol; font-size: 10pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font-size-adjust: none; font-stretch: normal; font: 7pt/normal "Times New Roman";"> </span></span></span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Facilitate classroom observation</span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Coach teachers<span style="mso-spacerun: yes;"> </span>to use evidence based teaching practices in literacy</span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Contribute to Regional and Network Literacy Coordinator workshops</span></li>
<li><span lang="EN-AU" style="font-family: Symbol; font-size: 10pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font-size-adjust: none; font-stretch: normal; font: 7pt/normal "Times New Roman";"> </span></span></span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Present the Regional Modules to staff</span></li>
<li><span style="font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%;">Provide Professional Learning to enhance quality literacy practices across all domains</span></li>
<li><span lang="EN-AU" style="font-family: Symbol; font-size: 10pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font-size-adjust: none; font-stretch: normal; font: 7pt/normal "Times New Roman";"> </span></span></span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Liaise with other Literacy Coordinators in the Network and across Networks</span></li>
<li><span lang="EN-AU" style="font-family: Symbol; font-size: 10pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font-size-adjust: none; font-stretch: normal; font: 7pt/normal "Times New Roman";"> </span></span></span><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Use the Network Literacy Improvement Officer (NLIO) as a resource to assist with all aspects of Literacy Improvement in the school</span></li>
<li><span lang="EN-AU" style="font-family: "Arial","sans-serif"; font-size: 10pt; mso-ansi-language: EN-AU; mso-fareast-font-family: "Times New Roman";">Be the point of contact for the NLIO to distribute information and resources to staff</span></li>
<li><span style="font-family: "Arial","sans-serif"; font-size: 10pt;">Oversee classroom literacy programs</span></li>
<li><span lang="EN-AU" style="font-family: Symbol; font-size: 10pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font-size-adjust: none; font-stretch: normal; font: 7pt/normal "Times New Roman";"> </span></span></span><span style="font-family: "Arial","sans-serif"; font-size: 10pt;">Promote literacy in the school and school community</span></li>
<li><span style="font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%;">Work with year level teachers to plan, monitor and resource literacy programs<o:p></o:p></span></li>
</ul>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1tag:blogger.com,1999:blog-34441070.post-2146579310319157092010-10-31T19:24:00.004+11:002010-10-31T20:33:06.681+11:00Chalk is much more interactive than an interactive whiteboardI've just read about a high tech classroom complete with interactive whiteboards which has been upstaged by good old fashioned chalk. The classroom was designed for an education conference in Bahrain and was designed to show the best in cutting edge technology. As can happen with situations like this, the technology failed.<br /><br /><a href="http://www.tes.co.uk/article.aspx?storycode=6060802">According to TES</a> the star of the show was <a href="http://edu.blogs.com/">Ewan McIntosh</a>, an expert in digital media from Edinburgh, who covered a wall with chalk notes and doodles.<br /><br />Ewan McIntosh said, "I think we fetishise technology at the expense of thinking about physical space. Chalk is much more interactive than an interactive whiteboard."<br /><br />It's not all as it seems.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-22731539143689375172010-06-26T14:46:00.003+10:002010-06-26T15:23:37.083+10:00Teenage Brains ResearchAmelia Hill writes in <a href="http://www.guardian.co.uk/science/2010/may/31/why-teenagers-cant-concentrate-brains">The Guardian </a>about new research into teenage brains which has found that they're less developed than was previously thought. Teenagers may look like adults but their brain structure is similar to that of much younger children, and brains continue developing well into adulthood.<br /><br />Dr Iroise Dumontheil of University College London's Institute of Cognitive Neuroscience puts it like this:"'It's not the fault of teenagers that they can't concentrate and are easily distracted. It's to do with the structure of their brains. Adolescents simply don't have the same mental capacities as an adult."<br /><br />Teenagers have 'chaotic thought patterns', caused by an excess of grey matter (the cell bodies and connections that carry messages within the brain). Adults have less grey matter, and their brains work more effectively. Dr Sarah-Jayne Blakemore, who led the research, explains: "What our research has shown is that there is simply too much going on in the brains of adolescents ... The result is that their brain energy and resources are wasted and their decision-making process negatively affected."<br /><br /><a href="http://www.guardian.co.uk/science/2010/may/31/why-teenagers-cant-concentrate-brains">Why teenagers can't concentrate: too much grey matter</a>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-39403395122684052472009-11-15T22:30:00.000+11:002009-11-15T21:57:11.842+11:00Pat Conroy has enjoyed a lifetime love affair with English teachersAbout eight years ago I read a book about teaching which I haven't forgotton. It's called THE WATER IS WIDE and is Pat Conroy's memoir of a year teaching poor black kids on Yamacraw Island about a world they didn't know existed.<br /><blockquote>The first thing I learned when I got there was that fourteen of the seventeen kids in grades five through eight read below the first grade level. Five of the kids did not know the alphabet; five of the kids also did not know how to add one and one, two and two, things I thought rather basic in the education of most people.<br /></blockquote><br />It was a year that changed Conroy's life. Read it if you can get a copy.<br /><br />I remembered the book when I read this letter about book censorship which is a beautifully eloquent homage to English teachers:<br /><br /><blockquote>A Letter to the Editor of the Charleston Gazette<br /><br />I received an urgent e-mail from a high school student named Makenzie Hatfield of Charleston, West Virginia. She informed me of a group of parents who were attempting to suppress the teaching of two of my novels, The Prince of Tides and Beach Music. I heard rumors of this controversy as I was completing my latest filthy, vomit-inducing work. These controversies are so commonplace in my life that I no longer get involved. But my knowledge of mountain lore is strong enough to know the dangers of refusing to help a Hatfield of West Virginia. I also do not mess with McCoys.<br /><br />I’ve enjoyed a lifetime love affair with English teachers, just like the ones who are being abused in Charleston, West Virginia, today. My English teachers pushed me to be smart and inquisitive, and they taught me the great books of the world with passion and cunning and love. Like your English teachers, they didn’t have any money either, but they lived in the bright fires of their imaginations, and they taught because they were born to teach the prettiest language in the world. I have yet to meet an English teacher who assigned a book to damage a kid. They take an unutterable joy in opening up the known world to their students, but they are dishonored and unpraised because of the scandalous paychecks they receive. In my travels around this country, I have discovered that America hates its teachers, and I could not tell you why. Charleston, West Virginia, is showing clear signs of really hurting theirs, and I would be cautious about the word getting out.<br /><br />In 1961, I entered the classroom of the great Eugene Norris, who set about in a thousand ways to change my life. It was the year I read The Catcher in the Rye, under Gene’s careful tutelage, and I adore that book to this very day. Later, a parent complained to the school board, and Gene Norris was called before the board to defend his teaching of this book. He asked me to write an essay describing the book’s galvanic effect on me, which I did. But Gene’s defense of The Catcher in the Rye was so brilliant and convincing in its sheer power that it carried the day. I stayed close to Gene Norris till the day he died. I delivered a eulogy at his memorial service and was one of the executors of his will. Few in the world have ever loved English teachers as I have, and I loathe it when they are bullied by know-nothing parents or cowardly school boards.<br /><br />About the novels your county just censored: The Prince of Tides and Beach Music are two of my darlings which I would place before the altar of God and say, “Lord, this is how I found the world you made.” They contain scenes of violence, but I was the son of a Marine Corps fighter pilot who killed hundreds of men in Korea, beat my mother and his seven kids whenever he felt like it, and fought in three wars. My youngest brother, Tom, committed suicide by jumping off a fourteenstory building; my French teacher ended her life with a pistol; my aunt was brutally raped in Atlanta; eight of my classmates at The Citadel were killed in Vietnam; and my best friend was killed in a car wreck in Mississippi last summer. Violence has always been a part of my world. I write about it in my books and make no apology to anyone. In Beach Music, I wrote about the Holocaust and lack the literary powers to make that historical event anything other than grotesque.<br /><br />People cuss in my books. People cuss in my real life. I cuss, especially at Citadel basketball games. I’m perfectly sure that Steve Shamblin and other teachers prepared their students well for any encounters with violence or profanity in my books just as Gene Norris prepared me for the profane language in The Catcher in the Rye fortyeight years ago.<br /><br />The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in Lonesome Dove and had nightmares about slavery in Beloved and walked the streets of Dublin in Ulysses and made up a hundred stories in The Arabian Nights and saw my mother killed by a baseball in A Prayer for Owen Meany. I’ve been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.<br /><br />The school board of Charleston, West Virginia, has sullied that gift and shamed themselves and their community. You’ve now entered the ranks of censors, book-banners, and teacher-haters, and the word will spread. Good teachers will avoid you as though you had cholera. But here is my favorite thing: Because you banned my books, every kid in that county will read them, every single one of them. Because bookbanners are invariably idiots, they don’t know how the world works– but writers and English teachers do.<br /><br />I salute the English teachers of Charleston, West Virginia, and send my affection to their students. West Virginians, you’ve just done what history warned you against–you’ve riled a Hatfield.<br /><br />Sincerely,<br />pat conroy<br /></blockquote>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1tag:blogger.com,1999:blog-34441070.post-40929149527676328242009-11-13T18:40:00.002+11:002009-11-14T06:15:25.945+11:00Results of testing won't be used for league tables?We seem to becoming more obsessed with tests and and easy comparisons. Julia Gillard, Australia's Education Minister, says there will be <a href="http://www.theage.com.au/national/gillard-dismisses-school-league-table-anger-20080816-3wrg.html">no league tables</a>.<br /><br />We've heard it all before.<br /><br />Recently a <a href="http://www.canberratimes.com.au/news/local/news/general/website-league-tables-fear/1673886.aspx">meeting of principals</a> in Canberra warned a new website that provides information on schools around the country could lead to the creation of league tables even though the website has been designed to stop that happening.<br /><br /><a href="http://www.telegraph.co.uk/news/newstopics/debates/6546838/Are-exams-bad-for-children.html">Are exams bad for children? The Telegraph</a>, UK, quotes Greg Watson, head of OCR, one of three main exam boards, as saying that the system of league tables and Ofsted inspections piled pressure on teachers to get results at all costs.<br /><br />In a speech, he suggested that “exam factories” were being created, potentially damaging children’s education.<br /><br />The article is written by By <a title="Graeme Paton" href="http://www.telegraph.co.uk/journalists/graeme-paton/" jquery1258063054703="40">Graeme Paton</a>, Education Editor of The Telegraph. He says that the comments are a latest in a series of attacks on the way the UK Government uses exam results to hold schools - and pupils - to account.<br /><br />Two of England’s main teaching unions – the National Union of Teachers and the National Association of Head Teachers claim the exams, which are taken in the final year of primary education, skew the curriculum and force schools to “teach to the test”.<br /><br />Exams are not in themselves bad for children - what is bad is an exam the results of which "indicate the school's performance", making the school teach to the exam to improve their rating - together with financial incentives.<br /><br />I remain sceptical when our politicians say the they are being transparent and that league tables won't happen.<br /><br />At the Canberra principals meeting <a href="http://www.canberratimes.com.au/news/local/news/general/website-league-tables-fear/1673886.aspx">Ms Gillard insisted </a>after the launch ''there is no part of this website that can be sorted into a league table by using sort functions on the computer. That is simply not possible''. clever - It's not us that will create the league tables.<br /><br />League tables won't be created? Yeah, and pigs might fly.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-55567343050039527182009-11-12T22:05:00.004+11:002009-11-12T22:16:33.420+11:00Learning slowly according to Manfred SpitzerGary Woodwill reviewed a book about learning, thinking and acting. The title grabbed my attention "The Importance of Learning Slowly". The book is by Manfred Spitzer, The Mind within the Net: models of learning, thinking, and acting.One of the comments Woodwill makes about the book is that:<br /><blockquote>While a single event can have an impact, it usually takes many events to have a relatively permanent change in the brain (aka “learning”) and to extract general features and generate rules from experience ... and according to Spitzer "It must learn quickly for obvious reasons, but it must learn slowly in order to generalize in a way that will produce the optimal solution without oscillating around it or forgetting it because of some other stimulus.”</blockquote> (p. 53)<br /><br />Woodwill continues<br /><br />We often find our models of understanding the world in the latest technologies available to us. Piaget developed his multi-stage theories of learning from observing his own children, and then applying the dominant mechanical metaphors of his day. In the 19th century, Adolphe Quetelet, a Belgian astronomer, coined the term “the average man” based on the pendulum (Piaget’s “equilibrium”), while Herbert Spencer wrote a psychology of adaptation using the newly created thermostat as his model (Piaget’s “adaptation and assimilation” within set limits).<br /> <br />In the second half of the twentieth century, two models of computing competed for dominance. One model was artificial intelligence, based on a model of inputs, storage, processing, and outputs - in other words, a factory metaphor. The other model was that of neural networks, modeled on what was then known about the functioning of brains in humans and other animals. In the 1950s, AI became the darling of computer science, leaving neural network development far behind in terms of funding and attention. <br /> <br />Manfred Spitzer’s The Mind within the Net is one of the best non-technical narratives on how minds work using the neural network model. Some of these explanations are startling, while others reinforce positions of strong advocates of individual freedom and the power of informal learning, such as Stephen Downes, George Siemens, and Jay Cross. <br /><br /><br />Spitzer also believes that children can and need to learn more quickly than adults. Children need a rough and ready view of the world while adults want to increase their depth of understanding. Spitzer relates this to the pace of change in today’s society. “The old master violin building makes better violins than the young student of the trade. If, however, all of a sudden the customers want music synthesizers, student will adapt to change more readily.” <br /><br />The importance of feedback is apparent in both brains and neural networks. Neural networks have a technique called backpropagation of errors that simulates feedback loops in the brain that slowly change the hidden layers between input and output. This means that learning is much more to do with practice and observation than being told what to do. “Children learn from examples,” says Spitzer. The brain stores its learning in “self organizing feature maps.” <br /><br />Spitzer is a psychiatrist in Germany, so it is not surprising that he has a chapter entitled “The Disordered Mind” in which he discusses autism and oppression. Most of his conclusions are on the best way to raise children, making this book less applicable to the adult learning. However, there are so many insights going through it that I highly recommend it to everyone in education and training. <br /><br />I’m looking forward to reading it.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-34354647898934415082009-10-31T12:05:00.002+11:002009-10-31T12:16:38.122+11:00On line courses at YaleOccassionally I remember to check out on line courses which I think are great. Yale courses can be linked at <a href="http://oyc.yale.edu/">On line courses at Yale</a>. For example the history department<br /><blockquote>... is home to one of the most popular majors on the Yale campus and encompasses the histories of Africa, Asia, Europe, the Middle East, and North and South America. Courses range in focus from the earliest recorded historical periods up through the modern day. Students are required to study history from a variety of geographical, chronological, and methodological perspectives, utilizing source materials wherever possible. The department also houses the History of Medicine and Science major. Learn more at http://www.yale.edu/history</blockquote><br />Check it out from your kitchen table.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-4265439682936921162009-08-13T07:00:00.000+10:002009-11-12T22:27:30.410+11:00Building reading stamina<a href="http://4.bp.blogspot.com/_iUWhYXBUDI8/SoKDZpVJG7I/AAAAAAAAAPU/5mr6fTfXXpA/s1600-h/P1010299.JPG"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5368998182393551794" border="0" alt="" src="http://4.bp.blogspot.com/_iUWhYXBUDI8/SoKDZpVJG7I/AAAAAAAAAPU/5mr6fTfXXpA/s400/P1010299.JPG" /></a><br />"This year reading is really boring. Everytime we finish a chapter the teacher gives us a sheet with questions that we have to answer. Last year reading was fun, we made up our own questions and talked in groups about the text."<br /><br /><br />I was reminded of this conversation I had with a group of year 7 boys when I read Carol Jago's column <a href="http://www.ncte.org/library/NCTEFiles/Resources/Journals/VM/0123-march05/VM0123Just.pdf">'Readers Just Want to Have Fun'</a> in <a href="http://www.ncte.org/journals/vm/issues/v16-4">Voices From the Middle</a>. The boys talking I had worked with in grade 6 as a rural primary school. We were using Reading Circles and the students really came to enjoy reading and to see that it could be fun. Yet here they were one year later and turned off reading because it was now a comprehension worksheet exercise.<br /><br /><br />If we want students to read we first need to get them enjoying reading and wanting to read.<br /><br />Recently I've been working with teachers to get them to change from silent reading to independent reading. Independent reading where students choose their 'just right' book, read with a purpose, write in their reading journal with the teacher working by conducting reading conferences.<br /><br />Sometimes the teacher might run a guided reading group during this time.<br /><br />But the first thing is to get kids to build up their reading stamina. This means being able to concentrate on reading for 30 plus minutes. To really get into the story, which is something struggling readers rarely experience.<br /><br />In a couple of classes where teachers have insisted on students reading for 30 minutes students have begun to enjoy reading. And they do not read outside of the classroom.<br /><br />So, first things first, get them reading for a sustained time.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1tag:blogger.com,1999:blog-34441070.post-82615608264153449452009-08-12T15:15:00.004+10:002009-08-12T15:28:27.897+10:00The beauty of mathematical languageThey say a whole page of ideas<br />Can be captured in a symbol<br />And a large chunk of life<br />Can be explained in an equation<br /><br />With powerful and elegant notations<br />People can picture in their minds<br />Through a few simple strokes or curves,<br />Whole chapters of imagination<br />And days and nights, countless explorations of intrigue,<br />Sustained<br /><br />A little Pi, is not so simple,<br />For books have been written, and still more will write<br />A small lemniscus, is not so naïve<br />For it never ends and never starts<br />A tiny epsilon-delta, is not so petite<br />For it takes tremendous insight and intuition<br />To see it beyond the small printed space<br /><br />In a little Greek or Latin<br />The language of the dead and bygones<br />A process, and<br />A concept<br />Are in love, deep and profound<br />Tall’s mathematical duality<br />Like the wave-particle<br /><br />The beauty of mathematical language<br />To those who see, they saw beyond,<br />Far beyond<br />To those who do not, the little Greek or Latin are<br />Discretely lifeless and collectively soulless<br />Like a wonderful poem left idle on paper.<br /><br /><br /><br /><br /><br />16 December 2004<br /><br />Victor Tiong<br /><br /><br />Universiti Malaysia Sabah<br /><victor(at)ums.edu.my>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-83151853390637508972009-07-07T12:05:00.000+10:002009-07-16T18:46:50.484+10:00Beautiful writing according to Kate Jennings<a href="http://www.quarterlyessay.com/pdf/qePDF/QE32_Extract.pdf">Kate Jennings </a>in her <a href="http://www.quarterlyessay.com/qe/pastissues/index.php">Australian Quarterly essay</a> incoporates an extract of 'beautiful writing' from a piece for The New Review of Books by <a href="http://www.nybooks.com/articles/22059">Mark Danner Obama and Sweet Potato Pie</a>:<br /><br /><br /><br />Everything else they would never see. It existed only for the several thousand cheering people in Vernon Park on that bright morning in Germantown. They would never see, for instance, Obama's riff on sweet potato pie. It came as he told a story about his campaigning "the other day in a little town in Ohio, with the governor there," about how he and the governor suddenly felt hungry and "decided we'd stop right there and get some pie." Now here began a little gem of a story, which had at its center the diner employees who wanted to take a picture with Obama, not least because, as they told him, their boss was a die-hard Republican and "they wanted to tweak him a little with that picture." All this was heading toward a carefully choreographed finale, where the owner appeared personally with the pie for candidate and governor and Obama looked at the pie and looked at the pie-carrying die-hard Republican owner and "then I said to him"—perfectly elongated pause—"How's business?"<br /><br />This brought on great gales of laughter from the crowd. For the joke turned on a point already precisely made: How can even the most die-hard of die-hard Republicans, if he is thinking of his self-interest, how can he vote Republican this year? "If you beat your head against the wall," Obama demanded of that faraway Republican with his pie, to a blizzard of "oh yeahs!" and "you got that right!" from the crowd, "and it hurts and hurts, how can you keep doing it?" But it was those two words, "How's business?"—that casual greeting thrown at the Republican diner owner that showed that there simply could be no other choice this year—that showed the case proved, wrapped up, unassailable.<br /><br />And yet what struck me in this little model of political art was a tiny riff the candidate effortlessly worked into it from his banter with the crowd. When Obama launched into his story with "Because I love pie," a woman out in that sea of cheering, laughing people shouted back, " I'll make you pie, baby!" and to the general hooting laughter the candidate returned, "Oh yeah, you gonna make me pie?" Then, after a beat, amid even more raucous laughter, and several other female voices shouting out invitations, "You gonna make me sweet potato pie? " More shouts and laughter. " All you gonna make me pie?"<br /><br />"Well you know I love sweet potato pie. And I think what we're going to have to do here"—and the laughter and the shouting rose and as it did his voice rose above it—"what we're going to have to do here is have a sweet potato pie contest.... That's right. And in this contest, I'm gonna be the judge." The laughter rose and you could hear not only the women but the deep laughter of the men taking delight in the double entendre that was not only about the women and their laughing, teasing offers and about their pie that that lanky confident smiling young man knew how to eat and enjoy and judge, but even more now, amazingly, as people came one by one to recognize, about something else. To those people gathered in Vernon Park that bright sun-drenched morning, it was an even more titillating and more pleasurable double entendre, for it was most clearly about something they'd never had but hoped and dreamed of having and now had begun to believe they were within the shortest of short distances of finally tasting. "Because you all know," their candidate told them, "that I know sweet potato pie."Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-15155394325307456352009-05-20T22:01:00.003+10:002009-05-20T22:12:09.831+10:00Re-reading Marzano's booksI've been thinking a bout classroom management and organising for effective teaching and began re-reading some of Robert Marzano's books, especially on <a href="http://www.amazon.com/Art-Science-Teaching-Comprehensive-Instruction/dp/1416605711">Classroom Instruction that Works.</a> Another book is the <a href="http://www.amazon.com/Art-Science-Teaching-Comprehensive-Instruction/dp/1416605711">Art and Science of Teaching</a> from which these questions came:<br /><br /><p>What will I do to establish and communicate learning goals, track student progress and celebrate success?</p><p><br />What will I do to help students effectively interact with new knowledge?</p><p><br />What will I do to help students practice and deepen their understanding of new knowledge?</p><p><br />What will I do to help students generate and test hypotheses about new knowledge?</p><p><br />What will I do to engage students?</p><p><br />What will I do to establish or maintain classroom rules and procedures?</p><p><br />What will I do to recognize and acknowledge adherence and lack of adherence to classroom rules and procedures?</p><p><br />What will I do to establish and maintain effective relationships with students?</p><p><br />What will I do to communicate high expectations to all students?</p><p><br />What will I do to develop effective lessons organized into cohesive units?</p>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-76876431535720618732009-04-26T18:26:00.004+10:002009-04-26T20:23:28.101+10:00Reading to reach the dangerous momentLast Friday while I was conducting some reading assessments with year 8 students one student became teary as she read a passage aloud to me. She and I talked about whether to continue with her reading or not. She decided to continue and was able to successfully read two of the three passages . After reading she answered the follow-up literal questions by just guessing the answer; in one case the question was 'What droned over the water?' . The text reads ' a fly droned over the water' but the student said "a green bird". She said that this was the answer because the story is about a green bird. I thought where do we start with assisting her to read with understanding.<br /><br />She is an efficient decoder which to use Frank Smith's words, is "barking at print". It's the understanding of what they are reading that is not developed. <a href="http://www.amazon.com/ICP-case-Graham-Greene/dp/B0007ES0OM">Graham Greene </a>called this his dangerous moment:<br /><br /><blockquote><p>Perhaps it is only in childhood that books have any deep influence on our lives ... I remember distinctly the suddenness with which a key turned in a lock and I found I could read - not just the sentences in a reading book with the syllables coupled together like railway carriages, but a real book. It was paper-covered with the picture of a boy, bound and gagged, dangling at the end of a rope inside a well with the water rising above his waist - and adventure of Dixon Brett, detective. All long summer holiday I kept my secret, as I believed: I did not want anybody to know that I could read. I suppose I half conscientiously realized even then that this was the dangerous moment.<br /></p></blockquote><br />How can we get students the dangerous moment?<br /><br />I've been reading <a href="http://www.amazon.com/Proust-Squid-Story-Science-Reading/dp/0060186399">Maryanne Wolf's book 'Proust and the Squid' </a>which besides having a great title is rich in ideas and an astonishing account of the development of the reading brain. She says the fluency in reading is not a matter of speed but is a matter of being able to utilise all "special knowledge a child has about a word - its letters, letter patterns, meanings, grammatical functions, roots, and endings - fast enough to have time to think and to comprehend... the point of becoming fluent,k therefore, is to read - really read and understand."<br /><br />The first thing is to get kids to enjoy reading, to want to read so as to get to the 'dangerous moment'. Too often reading for many students is a chore, boring and an activity which involves completion of comprehension worksheets. So we need to assess kids accurately, to get them reading texts at their 'just right' level, to explicitely teach how good readers read, to teach the strategies that good readers use and to creat a sense of joy and wonder and enthusiasm for reading.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-90056498690025396342009-04-20T20:59:00.004+10:002009-04-20T21:19:50.804+10:00Teaching is not brain surgery. It's Harder.After watching <a href="http://www.abc.net.au/4corners/">Four Corners</a> televison program tonight on unemployment I read this piece "Top Ten Necessities for Education Reform" that <a href="http://bigtweet.com/c/b/twitter/willrich45/YtS1z">Will Richardson twittered</a> . The piece is from a <a href="http://bigtweet.com/c/b/twitter/willrich45/YtS1z">Psychology Today blog</a> by Dr. Judy Willis a neurologist and middle school teacher:<br /><br />For the first time since the institution of public education in the U.S., students currently in high school are less likely to graduate than their parents. the U.S. is the only industrialized country where that is true. Here are my recommendations to change the appalling dropout rate and prepare students for the 21st century.<br /><br />1. Collaborate<br />2. Evaluate Information Accuracy <br />3. Teach Tolerance<br />4. Assessing Student Knowledge<br />5. Beyond Differentiation to Individualization.<br />6. Inspiration and engagement open the brain's information filters (reticular activating system and amygdala) to accept sensory input. <a title="Send to tinymce" href="http://blogs.psychologytoday.com/imce?app=tinymce%7Curl%40src#" jquery1240224872781="97"></a><br />7. Lower Stress. React or Reflect?<br />8. Using Learning Beyond the Classroom.<br />9. Teach students (and educators) the Brain Owner's Manual.<br />10. Teaching is not brain surgery. It's Harder. When teachers receive the recognition, status, and more of the autonomy I receive as a neurologist, we will attract the best and brightest to teaching and keep professional educators longer than the current five year average.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-28906363454826936782009-03-12T21:16:00.002+11:002009-03-12T21:29:14.504+11:00Students like workingThis morning I was in Terry Hillier's year 9 maths class at Maryborough, sitting at a table with a group of students discussing their learning. I asked " How are you going?" and one student replied, "good, I've learnt more this year (two months) than all of last year."<br /><br />"OH, why is that?"<br /><br />"Well last year we had heaps of teachers, and this year we've just had Mr Hillier."<br /><br />"What does Mr Hillier do that helps you learn mathematics?"<br /><br />"He explains things well."<br /><br />"And we work."<br /><br />It was obvious that the teacher has a strong positive relationship with his students. We know that explaining things clearly is important, but the comment that grabbed my attention was 'we work'. Students actually like to work.<br /><br />A few years ago I remember some of my ex students saying that they liked a certain teacher but that he shouldn't be teaching. The reason was that they didn't work and students didn't respect him as a result.<br /><br />Work doesn't mean busy work but meaningful, organised and challenging work. And you know, the very kids who struggle with reading and writing usually do very little reading and writing. We wound them by being undemanding.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1tag:blogger.com,1999:blog-34441070.post-31423137417660427472009-02-24T19:04:00.003+11:002009-02-24T21:02:06.153+11:00Teaching the Passive VoiceThis afternoon at Maryborough Education Centre, where I'm working as a teaching and learning coach, a group of teachers discussed the need to explicitly teach grammar, and we talked about using grammar in the context of students' writing. Yesterday I worked with Debbie Long, a science teacher, using shared writing strategy for students to write a scientific report. One aspect we covered was that this genre of writing should be in the passive voice. So here's a piece from ReadWriteThink.org<br /><br /><strong><a href="http://www.readwritethink.org/lesson_images/lesson280/grammatically_vignette.html"><span style="font-family:verdana;">Vignette: Teaching the Passive Voice</span></a></strong><br /><em><span style="font-family:verdana;">To help students understand sentence structure, some teachers get physical. </span></em><br /><span style="font-family:verdana;"></span><br /><span style="font-family:verdana;">Here are two ways to dramatize the passive voice. I stand at one side of the room and throw my keys on the floor, telling the class to make me a sentence about what I just did and to begin the sentence with my name. I always get “Ms. Van Goor threw her keys on the floor.” I smile and write the sentence on the board.<br /></span><br /><span style="font-family:verdana;">VG: And the subject of the sentence is?<br />Class: Ms. Van Goor.<br />VG: Right! And the verb?<br />Class: Threw.<br />VG: Right again. </span><br /><span style="font-family:verdana;"></span><br /><span style="font-family:verdana;">Now I pick up my keys and do the same thing again, but this time I tell them they must begin the sentence with The keys. It takes only a few minutes longer for them to get “The keys were thrown on the floor by Ms. Van Goor.” I write that sentence on the board also.<br /></span><br /><span style="font-family:verdana;">VG: And the subject is?<br />Class: The keys.<br />VG: Right! And the verb?<br />Class: (This takes longer, several tries, but eventually someone says it) Were thrown.<br />VG: Right. Now, in the first sentence, was the subject (I underline the subject once) doing what the verb (I underline the verb twice) described?<br />Class: Yes.<br />VG: Was the subject active, doing something?<br />Class: Yes.<br />VG: OK, how about the second sentence? Did the subject (I underline it once) do what the verb (I underline it twice) described?<br />Class: (much more slowly!) No-o-<br />VG: Was the subject active, doing something?<br />Class: No-o-.<br />VG: Or was the subject passive, just sitting there letting something else do something to it?<br />Class: (very tentatively) Passive?<br />VG: Yeah. The subject didn't do anything, but somebody or something did something to the subject. I don't know why we call the verb “passive”; it's actually the subject that's sitting there passively letting something happen to it, but that's the way it goes. We say was thrown is a passive verb. </span><br /><span style="font-family:verdana;"></span><br /><span style="font-family:verdana;">Another day, I use body diagramming. I call three students up to the front of the room and give them three slips of paper. Written on one is The new outfielder; on another, hit; and on another, the ball. Then I tell these three students to arrange themselves so that they make a sentence and that they must somehow interact with one another in so doing. They do fairly obvious things, the subject usually hitting the verb with enough force to bump the verb into the direct object. </span><br /><span style="font-family:verdana;"></span><br /><span style="font-family:verdana;">Then I call three more students up, keeping the first three in place. These three get The ball and was hit and by the new outfielder. I give them the same instructions. It takes the students a few minutes but they usually end up with the subject and verb students out front and the prepositional phrase student a step or two behind them, with a hand holding on to the verb. Then, with both groups of three “acting,” I ask the class to tell me the real difference in what’s going on up there. Someone will eventually get it: that the action goes to the right in one group and to the left in the other. If I then ask them to look only at the verbs in the two sentences and find a difference, someone will eventually notice that the passive verb has two words. And if that class has by then memorized all the do, be, and have verbs, I'll ask what family the helping verb belongs to and wait until someone recognizes the be family. </span><br /><span style="font-family:verdana;"></span><br /><span style="font-family:verdana;">If time allows, I get other sets of students up front and ask them to make up their own short sentences with active and passive verbs and rearrange themselves as necessary. We get lots of laughs—and students find out not only how to shift from one voice to the other but also how such shifts affect the meaning and flow of the sentence and how indispensable the be verb and the past participle are.</span><br /><br />—Wanda Van GoorFrom Haussamen, Brock et al. Grammar Alive! A Guide for Teachers (NCTE, 2003), pp. 29-32.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com5tag:blogger.com,1999:blog-34441070.post-65813724725917204322009-02-22T16:53:00.005+11:002009-02-22T18:23:52.242+11:00Six ways to make Web 2.0 work from McKinsey<a href="http://1.bp.blogspot.com/_iUWhYXBUDI8/SaD8QTBxEnI/AAAAAAAAANc/qZL2vz9tQuE/s1600-h/mckinsey.gif"><img id="BLOGGER_PHOTO_ID_5305517717958234738" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 357px; CURSOR: hand; HEIGHT: 59px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_iUWhYXBUDI8/SaD8QTBxEnI/AAAAAAAAANc/qZL2vz9tQuE/s400/mckinsey.gif" border="0" /></a><br /><div></div><br /><div>I've read about this article on web 2.0 from the <a href="http://www.mckinseyquarterly.com/Business_Technology/Application_Management/Six_ways_to_make_Web_20_work_2294">McKinsey Quarterly</a> in <a href="http://www.downes.ca/cgi-bin/page.cgi?post=47805">Stephen Downes' OL Daily blog</a> , and then followed his reference to <a href="http://blog.core-ed.net/derek/2009/02/6-ways-to-make-web20-work.html">Derek Wenmouth</a> from where I took a look at <a href="http://janeknight.typepad.com/pick/">Jane Hart's blog</a>.<br /></div><div><br /><blockquote>Over past two years, McKinsey has studied more than 50 early adopters of Web 2.0 who are using technologies such as blogs, wikis, information tagging, prediction markets, and social networks. From this they have drawn six insights on how companies can best use these technologies.<br /><br />1 The transformation to a bottom-up culture needs help from the top.<br />2 The best uses come from users—but they require help to scale.<br />3 What’s in the workflow is what gets used.<br />4 Appeal to the participants’ egos and needs—not just their wallets.<br />5 The right solution comes from the right participants.<br />6 Balance the top-down and self-management of risk.<br /></blockquote><br />For more detail, read the full article: <a href="http://www.mckinseyquarterly.com/Business_Technology/Application_Management/Six_ways_to_make_Web_20_work_2294" target="_blank">Six ways to make Web 2.0 Work</a>, McKinsey Quarterly, FEBRUARY 2009 • Michael Chui, Andy Miller, and Roger P. Roberts</div><br /><div></div><br /><div>Derek provides a <a href="http://blog.core-ed.net/derek/2009/02/6-ways-to-make-web20-work.html">paraphrase of the six points</a>. </div>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-14293582963881272582009-02-04T11:18:00.003+11:002009-02-04T11:55:59.348+11:00Blogs and wikis, where did the time go?This morning my email inbox contained the latest <a href="http://www.ascd.org/publications/educational_leadership.aspx">Educational Leadership online</a> and I decided to read one article by <a href="http://www.ascd.org/publications/educational_leadership/feb09/vol66/num05/Learning_with_Blogs_and_Wikis.aspx">Bill Ferriter, 'Learning with Blogs and Wikis.'</a> This will take me a few minutes I thought. Well, it's now three hours later and I'm thinking I've got to stop. As a result of reading his article I've read various blogs, added blogs to my bookmarks, read posts on Bill Ferriter's bog <a href="http://teacherleaders.typepad.com/the_tempered_radical/">'The Tempered Radical'</a>, checked out <a href="http://www.pageflakes.com/wferriter/16618841">Bill Ferriter's pageflakes</a> , gone to Pageflakes and set up a page of the feed reader, listened to the four day conversation on Kelly Gallagher's new book <a href="http://www.stenhouse.com/shop/pc/viewprd.asp?idProduct=9158&r=&REFERER=">Readicide</a>, checked out <a href="http://kellygallagher.org/index.html">Kelly Gallagher's website</a> and begun adding blogs to <a href="http://www.pageflakes.com/">Pageflakes</a>.<br /><br /><br />Ferriter writes that as a result of using digital tools:<br /><br /><blockquote>"Thousands of accomplished educators are now writing blogs about teaching and learning, bringing transparency to both the art and the science of their practice. In every content area and grade level and in schools of varying sizes and from different geographic locations, educators are challenging assumptions, questioning policies, offering advice, designing solutions, and learning together. And this collective knowledge is readily available for free."</blockquote><br />So I suppose this morning's effort is an example of this.<br /><br /><br />And I feel good because I've actually written my first post in ages.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1tag:blogger.com,1999:blog-34441070.post-27723816462831916742008-07-21T12:04:00.000+10:002008-07-22T12:48:40.175+10:00Working with adults<a href="http://bp2.blogger.com/_iUWhYXBUDI8/SIVJnP4fd8I/AAAAAAAAAGg/UoqDWbtQdrE/s1600-h/AGQTP+evicence+group+2007+(4).JPG"><img id="BLOGGER_PHOTO_ID_5225663881260529602" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp2.blogger.com/_iUWhYXBUDI8/SIVJnP4fd8I/AAAAAAAAAGg/UoqDWbtQdrE/s400/AGQTP+evicence+group+2007+(4).JPG" border="0" /></a><br /><p></p><br /><p>Working with adults is challenging. I was thinking about this recently when someone asked me about my thoughts on coaching teachers and I remembered a list of statements, about working with adults, produced by <a href="http://books.google.com.au/books?hl=en&id=pPaJ9zp6CBcC&dq=the+adult+learner+fogarty&printsec=frontcover&source=web&ots=e7YUlDmuzr&sig=IkTTwdAw8jSpWlRMY1E2xAQozR4&sa=X&oi=book_result&resnum=1&ct=result#PPA1,M1">Robin Fogarty and Brian Pete</a>. </p><br /><p>Here they are. See if you agree or disagree:</p><br /><p>1 Adults seek learning experiences to cope with life-changing events.<br />2 For adults, learning is its own reward.<br />3 Adults prefer survey courses to single concept classes.<br />4 Adults want to use new materials.<br />5 Adults are quick to re-evaluate old material.<br />6 Adults prefer to learn alone.<br />7 Adults prefer to sit and be taught.<br />8 Adults prefer 'how to' trainings.<br />9 An eclectic approach works best with adults.<br />10 Non-human learning (books, TV,) is popular in adult learning.<br />11 Adults don't like problem-centred learning.<br />12 Adults carry reservoirs of personal experiences.<br />13 'Real world' exercises are preferred.<br />14 Adults let their schoolwork take second place to jobs and family.<br />15 Adults transfer ideas and skills easily into their work setting.<br />16 Adults are self directed learners.<br />17 Facilitation of groups works better than lecture formats with adults.<br />18 Adults expect their class time to be well-spent.<br />19 Adult learners are voluntary, self-directed learners.<br />20 Adults are pragmatic learners.</p><br /><p><span style="font-size:85%;">Sources: (Knowles 1973, Zemke, 1995)</span></p><br /><p>Point 10 might be different these days as the internet is not included. Malcolm Knowles focused his attention on the learner is his seminal peiece <a href="http://www.amazon.com/Adult-Learner-Neglected-Building-Potential/dp/0872010740">The Adult Learner: A Neglected Species</a>. his contention is that adult learners are an entity unto themselves.</p><br /><p>What are your thoughts?</p>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com4tag:blogger.com,1999:blog-34441070.post-52372293232783814702008-07-15T21:42:00.005+10:002008-07-15T22:46:43.370+10:00Writing a six word story<a href="http://bp3.blogger.com/_iUWhYXBUDI8/SHyb87c2_PI/AAAAAAAAAGY/Jv7fVyPDp2I/s1600-h/Hemingway+1.jpg"><img id="BLOGGER_PHOTO_ID_5223221138896125170" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://bp3.blogger.com/_iUWhYXBUDI8/SHyb87c2_PI/AAAAAAAAAGY/Jv7fVyPDp2I/s400/Hemingway+1.jpg" border="0" /></a><br /><div>During our end of term 2 holidays I heard an <a href="http://www.abc.net.au/rn/bookshow/stories/2008/2294505.htm.">interview with Amy Hempel on Radio National </a>she talked about short stories and quoted Gertrude Stein who once wrote a 4 word short story titled Longer: "She stayed away longer." Jill Wilson referred to the interview on her blog <a href="http://likeachoppingblockshould.blogspot.com/2008/07/lifes-looking-good.html">Chopping block</a>. As a result of this I remembered the six word short story that Ernest Hemingway wrote: ("For sale: baby shoes, never worn.") and is said to have called it his best work. Is the story apocryphal? In <strong><em>Author! Screenwriter!: How to Succeed as a Writer in New York and Hollywood</em></strong> by Peter Miller on page 166:</div><br /><div><br /><blockquote>More than thirty years ago at the beginning of my career, I had lunch with a well-established newspaper syndicator who told me the following story: Ernest Hemingway was lunching at the Algonquin, sitting at the famous “round table” with several writers, claiming he could write a six-word-long short story. The other writers balked. Hemingway told them to ante up ten dollars each. If he was wrong, he would match it; if he was right, he would keep the pot. He quickly wrote six words on a napkin and passed it around. The words were: “For Sale, Baby Shoes, Never Worn.” Papa won the bet: His short story was complete. It had a beginning, a middle, and an end!</blockquote></div><br /><div><a href="http://www.wired.com/wired/archive/14.11/sixwords.html">Wired </a>magazine asked sci-fi, fantasy, and horror writers from the realms of books, TV, movies, and games to take a shot themselves. You can see the full list here: <a href="http://www.wired.com/wired/archive/14.11/sixwords.html">Wired six word short stories</a>.</div><br /><div>Here are some of my favourites:</div><br /><div><br /><blockquote>Longed for him. Got him. Shit.- Margaret Atwood<br /><br />The baby's blood type? Human, mostly. - Orson Scott Card<br /><br />Bush told the truth. Hell froze.- William Gibson<br /><br />Don't marry her. Buy a house. - Stephen R. Donaldson<br /><br />Easy. Just touch the match to - Ursula K. Le Guin</blockquote></div><br /><div><a href="http://teacher.acer.edu.au/">Teacher Magazine</a> decided to run a <a href="http://www.teachermagazine.org/tm/articles/2008/07/09/40tln_norton.h19.html">competition of their own </a>after getting the idea from Smith <a href="http://www.smithmag.net/sixword-momoirs/story.php?did=21236">magazine</a>:</div><br /><div><br /><blockquote><br /><p>The six-word memoirs published by Smith include one from TV chef Mario Batali ("Brought it to a boil, often"); another from an anonymous student ("Deferred all math homework to Dad"), and this from a long-suffering English teacher: "Grading AP essays, I crave Tolstoy."</p><br /><p><strong>Here’s the specific question Teacher magazine used:</strong><br /><br />If you were writing a mini-memoir of your teaching life, what would your six words be? Your memoir might be funny, inspirational, profound, mundane, deeply true. Want to play? Mull it over, doodle with pen and napkin or your favorite digital tool, and post your memoir for all of us to read.</p></blockquote></div><br /><div></div><br /><div><strong>A few results:</strong></div><br /><div><br /><blockquote>They asked. I listened. We learned. (Majorie)<br /><br />Life on the bell curve's edge. (Amy B)<br /><br />Every day is a new adventure. (Amy E)<br /><br />Reading creates new worlds—let's go! (David)<br /><br />Exercised the muscle of the mind. (Nancy D)<br /><br />Please, don't ask me for more! (Kim after a hard year)<br /><br />No growth, no life. Struggling, soaring. (George)<br /></blockquote></div><br /><div>This sure gets away from edubabble we often have to read and listen to as part of our working lives.</div><br /><div></div><br /><div></div>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com3tag:blogger.com,1999:blog-34441070.post-42733109123424119812008-07-04T16:00:00.001+10:002008-07-04T16:12:47.411+10:00Is google making us learn differently?Last week at a conference keynote presenter <a href="http://tommarch.com/ozblog/">Tom March </a>talked about the iPhone and showed clips of the things google can do. One idea I took from this was that he thinks that we need to change our thinking about how we organise schools and teaching.<br /><br /><br /><br />Serendipitously on the way home I picked up the latest <a href="http://www.theatlantic.com/doc/current">Atlantic Monthly </a>and there emblazoned on the cover was <a href="http://www.theatlantic.com/doc/print/200807/google">'Is google making us stupid?'</a> This is an interesting article about the effects of the Internet on the brain; the contention is that the Internet has changed our thinking. The author Nicolas Carr says:<br /><br /><br /><br /><br /><blockquote>For me, as for others, the Net is becoming a universal medium, the conduit for most of the information that flows through my eyes and ears and into my mind. The advantages of having immediate access to such an incredibly rich store of information are many, and they’ve been widely described and duly applauded. “The perfect recall of silicon memory,” Wired’s Clive Thompson <a href="http://www.wired.com/techbiz/people/magazine/15-10/st_thompson" target="_blank">has written</a>, “can be an enormous boon to thinking.” But that boon comes at a price. As the media theorist Marshall McLuhan pointed out in the 1960s, media are not just passive channels of information. They supply the stuff of thought, but they also shape the process of thought. And what the Net seems to be doing is chipping away my capacity for concentration and contemplation. My mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.<br /></blockquote><br /><br />On the other hand this seems like another world from the world many kids, that I see in schools, experience. On the one hand we have the amazing technology but on the other hand there are lots of kids struggling with basic reading and writing. I find that I'm often skimming and scanning through articles but I still take time to read BOOKS. As Maryanne Wolf, a developmental psychologist at Tufts University and the author of <a href="http://www.readings.com.au/search/results?query=maryanne+wolf&books=1&music=1&film=1&x=52&y=10" target="_blank">Proust and the Squid: The Story and Science of the Reading Brain</a> says, <strong>deep reading is deep thinking</strong>.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com3tag:blogger.com,1999:blog-34441070.post-74104690573319422252008-07-03T15:16:00.002+10:002008-07-04T16:25:06.606+10:00Negotiating the curriculum nothing's really new<div></div><br /><div><a href="http://bp0.blogger.com/_iUWhYXBUDI8/SG3Bj6dytFI/AAAAAAAAAGA/W5ciXj_t0bE/s1600-h/Charlie-Chaplin-Photograph-C1203700.jpg"><img id="BLOGGER_PHOTO_ID_5219040365926069330" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" height="252" alt="" src="http://bp0.blogger.com/_iUWhYXBUDI8/SG3Bj6dytFI/AAAAAAAAAGA/W5ciXj_t0bE/s400/Charlie-Chaplin-Photograph-C1203700.jpg" width="219" border="0" /></a>"Nothing's really new Sam." This was a statement made to me when I mentioned that I remember attempting to negotiate the curriculum in the 1980's after Garth Boomer's book <a href="http://www.amazon.ca/Negotiating-Curriculum-Educating-21st-Century/dp/1850009317">'Negotiating the Curriculum'</a> was published.</div><br /><br /><div>Boomer's approach was essentially inquiry learning - issue or problem, question, hypothesis, test, and conclusion. Negotiating the curriculum adopted four questions:</div><br /><br /><div>1 What do we know already?</div><br /><br /><div>2 What do we want and need to find out</div><br /><br /><div>3 How will we go about finding out?</div><br /><br /><div>4 How will we know, and show, that we've found out when we have finished?</div><br /><div></div><br /><div>Pretty straight forward really and it stands the test of time. </div>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-19229653371814098652008-06-18T23:01:00.003+10:002008-06-18T23:14:39.546+10:00Achieving outstanding numeracy outcomes<a tabindex="7" name="content"></a>Searching for effective teaching practices to improve numeracy outcomes is a key factor in our current work in Victoria as Teaching and Learning Coaches. The report <a href="http://www.dest.gov.au/sectors/school_education/publications_resources/profiles/making_the_difference_main_report.htm"><em>What’s ‘making the difference’?: achieving outstanding numeracy outcomes in NSW primary schools</em> </a>aimed to establish what educational practices make the difference in enabling primary school students to achieve outstanding numeracy learning outcomes and to explore to what extent and how such educational practices could be successfully transferred to other schools.<br /><br /><p><a name="abstract">Abstract</a><br />This project, undertaken between January 2001 and February 2004, set out to investigate which numeracy practices in NSW schools were achieving outstanding numeracy results. Effective numeracy practices were identified at 45 case study schools. Those practices were then trialled in other schools that wished to improve their numeracy outcomes. The trialling was supported by extensive professional development for teachers. Successful numeracy practices included:<br /></p><p>The use of <strong>hand-on materials</strong> to support the understanding and development of numeracy concepts<br /></p><p><strong>Small group work</strong> to encourage discussion and exploration of ideas<br /></p><p>Use of <strong>open-ended questions</strong> by both teachers and learners to establish, consolidate, extend, reinforce and reflect on concepts, skills and applications<br /></p><p><strong>Discussion</strong> during lessons to enable students to engage with and understand new and established mathematical concepts<br /></p><p><strong>Catering for individual needs</strong> of students through consistent and varied assessment, differentiated teaching and learning, and opportunities for interaction with the teacher or peers<br /></p><p><strong>Collaboration </strong>in planning <strong>between teachers</strong> which provided opportunities for innovative teaching and<br /></p><p><strong>Whole-school commitment</strong> to numeracy with all teachers implementing policies and programs consistently in all classrooms.<br /></p><p>Schools trialling the successful numeracy practices found that a Key Group, usually supported by the school principal, was crucial in driving the project and in supporting continuing change at the school level. Continuity of teaching styles appeared to sustain and improve numeracy achievement. Schools which demonstrated greater than expected growth in numeracy achievement over the life of the project focused on either the language of mathematics or the use of practical resources to support concept development in numeracy. An important outcome of the project was the finding that quality professional development of teachers that improves their specific knowledge of numeracy teaching and their ability to direct and embrace change leads to measurable improvements in the numeracy outcomes of students. </p>Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com0tag:blogger.com,1999:blog-34441070.post-73707412376988719242008-06-01T20:25:00.006+10:002008-06-01T20:45:37.794+10:00The Best Slow Dancer<span style="font-size:130%;"><span style="font-size:85%;">One of the great sites that you can subscribe to is </span><a href="http://writersalmanac.publicradio.org/"><span style="font-size:85%;">Garrison Keillor's The Writer's Almanac</span></a><span style="font-size:85%;">. The title of this cought my attention as writer of Slow Learning Blog</span></span><br /><span style="font-size:85%;"></span><br /><span style="font-size:130%;">The Best Slow Dancer</span><br />by <a title="http://www.elabs7.com/c.html?rtr=" href="http://www.elabs7.com/c.html?rtr=on&s=fj6,a5h6,dv,d4ig,8axz,mbds,7tgx" s="fj6,a5h6,dv,d4ig,8axz,mbds,7tgx">David Wagoner</a><br /><br />Under the sagging clotheslines of crepe paper<br />By the second string of teachers and wallflowers<br />In the school gym across the key through the glitter<br />Of mirrored light three-second rule forever<br />Suspended you danced with her the best slow dancer<br />Who stood on tiptoe who almost wasn't there<br />In your arms like music she knew just how to answer<br />The question mark of your spine your hand in hers<br />The other touching that place between her shoulders<br />Trembling your countless feet lightfooted sure<br />To move as they wished wherever you might stagger<br />Without her she turned in time she knew where you were<br />In time she turned her body into yours<br />As you moved from thigh to secrets to breast yet never<br />Where you could be for all time never closer<br />Than your cheek against her temple her ear just under<br />Your lips that tried all evening long to tell her<br />You weren't the worst one not the boy whose mother<br />Had taught him to count to murmur over and over<br />One slide two slide three slide now no longer<br />The one in the hallway after class the scuffler<br />The double clubfoot gawker the mouth breather<br />With the wrong haircut who would never kiss her<br />But see her dancing off with someone or other<br />Older more clever smoother dreamier<br />Not waving a sister somebody else's partner<br />Lover while you went floating home through the air<br />To lie down lighter than air in a moonlit shimmer<br />Alone to whisper yourself to sleep remember.<br /><br />"The Best Slow Dancer" by David Wagoner from Traveling Light.© University of Illinois Press.Sam Grumonthttp://www.blogger.com/profile/10897992805662165882noreply@blogger.com1